Sousa reigned as the “March King” in the latter part of the 19th and early part of the 20th centuries. His musical output was prodigious, consisting of marches (well over 100), operettas, suites, songs, arrangements, etc. His “Belle of Chicago” march dates from 1892 and was meant as a tribute to the ladies of the Windy City.
March: The Belle of Chicago
Composed in 1892
By John Philip Sousa
Known commonly as the Christmas Concerto, this work was commissioned by Cardinal Pietro Ottoboni and published posthumously in 1714. Read more →
Still writing under the influence of classically-oriented German masters like Mendelssohn and Brahms, scored the Serenade for a wind ensemble very similar to that of Mozart’s great Serenade for Thirteen Winds. Read more →
A New York City premiere! Heralded as a “promising new compositional voice” by the St. Louis Post Dispatch, Kansas City native Stephanie Berg’s music has been met with enthusiasm, and has been described as fun, creative, vivid and unabashedly cinematic. Read more →
The piece established Rachmaninoff's fame as a concerto composer and is one of his most enduringly popular pieces. Read more →
Nico Giacalone has recently won second prize in the International Mozart Competition in Vienna. He also graduated this past year with a Master’s Degree from the Mannes Conservatory and was awarded the Steinway Award for outstanding work as a performer and supportive classmate. Read more →